This wide-ranging retrospective of an American genius covers, for the first time, every stage of George Bellows’ short but prolific career and is destined to become the definitive work for Bellows scholarship. Published in conjunction with a major retrospective exhibition, this book documents the artist’s career from his youthful meteoric rise to the largely unexplored period preceding his death. Mentored by Robert Henri, leader of the Ashcan school in New York in the early part of the twentieth century, Bellows skillfully and audaciously painted the world around him: street children, tenements, boxers, urban and rural landscapes, seascapes, war scenes, and family portraiture. He was also an accomplished graphic artist whose illustrations and lithographs addressed a wide array of social, religious, and political subjects. More than 200 reproductions from every stage of Bellows’ career are accompanied by a series of essays that offer a substantial reconsideration of the artist, drawing comparisons to Manet, Goya, El Greco, and Picasso, and tracing his rise to the emergence of other American greats such as Edward Hopper. A chronology and two appendices devoted to Bellows’ personal record book and his published illustrations for periodicals such as The Masses and Harper’s Weekly reveal the full range of his remarkable artistic achievements. Authoritative and exhaustive, this groundbreaking book firmly establishes Bellows’ unique place in the history of both American art and Western art in general.
CONDITION: FAIR
The third edition of the Klimt catalogue by W&K - Wienerroither und Kohlbacher is published in spring 2023, on the occasion of the gallery's 30th anniversary. The catalogue, with an essay by Klimt expert Dr Marian Bisanz-Prakken and translations and art historical contributions by Elisabeth Clegg, provides an insight into the fascinating world of Gustav Klimt's drawings. It includes over 100 colour illustrations and information on 40 drawings from the gallery.
CONDITION: GOOD
by Eckhard Schneider (Author), James Lawrence (Author), Richard Serra (Artist)
With 2007's monumental retrospective at The Museum of Modern Art, New York Richard Serra's work in steel sculpture was affirmed as a decisive contribution to contemporary art. For more than 40 years he has been creating massive structures that guide and coerce the space around them, operating on equal terms with their environments instead of vanishing into them. But alongside these sculptures he has produced a large body of drawings whose specific material qualities and processual execution on flat surfaces suggest a material density and a physical presence comparable to sculpture. Serra sees drawing as one of the few activities in which he can comprehend the sources of his work-it allows him to "grasp the world." The exhibition Drawings-Work Comes Out of Workpresents six groups of works from the last 10 years in large-format illustrations and includes tantalizing photographic glimpses of the artist at work in his studio. Art historian James Lawrence contributes an essay on this hitherto under-published aspect of Serra's oeuvre.